"HEREIN lie buried many things which if read with patience may show the strange meaning of being black here in the dawning of the Twentieth Century. This meaning is not without interest to you, Gentle Reader; for the problem of the Twentieth Century is the problem of the color-line." - W.E.B. Du Bois
A cornerstone of African-American studies, The Souls of Black Folk is a series of essays spanning from religion to economics, and from politics to music. W.E.B. Du Bois had a unique perspective of the meaning of being black in America at the turn of the century. Raised as the lone black child in a New England town, Du Bois claims he didn't realize the significance of his skin color until he was an elementary student barred from a playmate's home. His higher-education opportunities were limited by that same skin color, and thus he headed south to study at Fisk University in Nashville. He spent time teaching in rural schools for a time before moving back north to become the first African-American to graduate from Harvard. He studied at the University of Berlin and held teaching positions at Wilberforce and UPenn before returning to the South to teach at Atlanta University.
Du Bois writes in a style that will strike today's reader as remarkably humble regarding his race. His ideas at the time, however, were far from mild. Booker T. Washington was the leading black voice of his day, and he advocated social policies of "separate but equal" standing among the races, working to ensure blacks had access to trade schools and agricultural policies that would provide the race an opportunity to accrew financial and social standing before moving towards integration. Du Bois, however, was adamantly opposed to Jim Crow and segregation, challenging that equal rights are essential to the progression of African-American, and ultimately American, society. The Souls of Black Folk laid the groundwork for the Civil Rights Movement that ensued a half-century later.
The book is well-written, and provides insight into the challenges afflicting African-Americans in the South over a century ago. Sadly, many of the same issues remain. While legislated racism fell during the civil rights movement (Though some are pointedly calling the wave of Arizona-style immigration legislation "Juan Crowe"), racism and disparities still remain a blight on our country. The overt, explicit racism of a generation ago is slowly dying away, but it is being replaced with a much more insidious implicit racism that is often imperceptible by its perpetrators. Implicit racism occurs in subconcious attitudes that we hold that affect the way we treat other races. For instance, while I would never use an ethnic slur (I am far too P.C. for that), I will (unconsciously) apply an unfair stereotype to an obese, slightly unkempt African-American patient with a chief complaint of "abdominal pain." While I may not perceive my racism, the patient suredly will.
Du Bois's topics range from reconstruction to education, and he does a masterful job of using story to convey injustice. The book also details some history I find interesting, none more than the last chapter which provides an anthropological history of the "Negro Spiritual." Another essay details the conflicted grief he suffers in the death of his child, whom was denied entry to an all-white hospital before succumbing to illness. Importantly, Du Bois introduces the concept of "the Veil" through which blacks separated from the general population and a common symbol employed in African-American discourse.
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